So I had some other websites I was trying to set up shop in. But as I said layout was driving me nutttty. So I've moved her for now. Please follow me. Graduate School, and the silence after my work has been read, has been discouraging. What I need is to remember why, why I've been writing for so long, why I've never known otherwise.

LeighMusee

LeighMusee

LeighMusee

LeighMusee

LeighMusee

twit twat.

http://twitter.com/ClaudeleanMusee

I've moved and for the first time delivered a new approach: a genuine attempt to establish my life; to feel at home. There is so much to say. And a novel I am signed up to write by the end of two months. How heroic. In short, I am on my own; surviving, smiling. And I am in the midst of a new site name. I don't know if I will latch on to it or not. For whatever reason, I'm the type, that supposes a new domain will separate me from the associations of what I did and didn't accomplish here.

Only today.

Since moving, I’ve been snacking on cheese. Jalapeño Jack, Goat, Manchego. Perhaps this is my effort to be that woman living on her own. The one of stories, the one I could never write. To spend money in bulk, on flavors. A first try to regard the body in the manner I think of the person I love. Happy just to have. After showering, I hold a mug and look for someone doing the same thing by an open window. Settling into the morning, clutching night in a fist. We boldly drink our coffee. Pretending we are without routine.

Vertigo.

He said I’m thinking late. A chill out chat or film.


She moves to find, her body is not inseparable.
Surprised? There was a long way to go.
And at least she’s made it, so far.
Her thinking stills to picture something else: a late night or just later.


No one can watch without lying.
He’ll believe I own only one.
He wants to find it a bit beyond the bed’s edge.
He will wait for me to take him up.


Spiral stairs are designed for someone of distinguishable purpose.
They say you are lucky. But I would never offend you like that.
So go on, show me how it looks.
Show me what it is to have my muse wrapping her body around.


He typed Thinking of you. He sent. And he didn’t touch her on any level.
Should it have been late enough, the two may have gone to bed; planning and not planning to watch a film.

Words from Some Other.

And It Came to Pass
by C. D. Wright
This june 3 would be different Time to draw lines I've grown into the family pores and the bronchitis Even up east I get by saying goddamnit Who was that masked man I left for dead in the shadow of mt. shadow Who crumbles there Not touching anything but satin and dandelions Not laid his eyes on the likes of you Because the unconnected life is not worth living Thorntrees overtake the spot Hands appear to push back pain Because no poet's death Can be the sole author of another poet's life What will my new instrument be Just this water glass this untunable spoon Something else is out there goddamnit And I want to hear it

a repetitious knot.

It was the ninth, I didn't dream. Instead I determined the date and further, this time I have lived by or, more sensationally, been locked into has been a series of goodbyes. Upon exiting I discard the feeling, which is to say I disassociate from myself.

I sense a heaviness; writing with the light pushing down.
In so few hours, she'll have the morning, but not the motivation to ask anything I can answer, agree upon:

How'd you sleep?
Didn't.
What's wrong?
It's becoming later all the time.
Next time tell me. I'll give you something to take.
I want someone to have.
There is so little difference.
To you. But for me, all I hear in the night's silence is the difference and after, its impossible repetition.
Well, sorry your night sucked. But time to get moving. We've got a party to put on.

Perhaps I am waking, as if at birth, to isolation, its noise (this, all:in myself). Then again, there is the fear that my honesty is harmful, that this is possibly about one thought determining, distracting, deluding all others: What is difficult about being in love, to me, is being in it.

In La Pointe Corte, Agnes Varda has 'him' say to 'her':

The first one who's had enough should leave...if their heart says so.
The heart never tells us that. The heart never gets enough. It's the mind that rebels or the body.

And then she tells him at last,

I came to make noise and silence has won.

At the party, I didn't want to make a speech, but when push came to shove I had to go on and do it. So I said, I'll sure try to be short and sweet. What I figured is my indifference instead was interpreted as personalization, and more embarrassing as emotion. Was this the truth? I apologized. Blamed my inconvenient nostalgia, said it is a shame. Why? Can't I be more careful, more comforting. Reach for interaction, don't let the city pull you, promise not to loose the adrenaline, but goddamnit slow down. I spoke with one man for the majority of the time. Knew it was easier being myself, than pretending Manhattan and undergraduate is a place I met people, found love. A father interrupted, So now that you have graduated you are fully pursuing modeling? What, no, I am leaving to write. But then, he brought up film and I asked him what his eldest daughter made him watch. (I despise such questions, or rather being put on the spot, but I also despise being taken for a face over my word. He brought up Bergman and call me crazy but I instantly felt safer, acknowledged accurately). See, my humility from not having done/experienced more - being greater - is why I mate in corners, divulge the panic of ambitions, lean forward curious about larger schemes. Once I resumed my conversation, last night some how found its way out of my mouth. Me and all my dreamlessness. I explained the interpretation of my last five years: the ever-evolving goodbye. It would have been hypocritical had I been defensive when he said, You are running away or are you? As if I could finally just break my seal, allow my strength to go collapsing. And I did in ways; in ways that men discover are attractive, as if they too can be listened to. I spoke about love, asked him about his own. What is the lesson in long-distance? He wanted to know how we met - and really, why the hell he wasn't around - said he, himself, sees where the interest comes from. The power of a couple, he made me think, is the fanatic self-other interest, the collapsing of a room, when the outside others are tone and the selves are musicality, an urge, a talent to honor. And this was invigorating. For whatever reason we hugged and said we enjoyed how quickly the party went by. His wife was on a book signing. She had finally come to the point of applause, of readership, of respect. But he hadn't wanted to tell me because 'why compare two stories so to speak'. I really didn't know where to go after that.

toes to tongue

Originally uploaded by Lillyan Lilac

discovered, he woke. that wasn't she, testing her tongue toward me. but a bird baiting me on.

I will stick around, hopefully.

An unexamined melancholy
Sitting in myself
Horrible, this pain and the little you know
Three years back, I spent all my time not writing
This summer has reminded me just of that
Then I had a pardonable excuse:
Those whom are in love don't write down their happiness.

it was thought that we were on top of the mothafuckin world, we said so too;
dad's rebuttal: one word (coke) so we shot down Santa Monica, crashed on sand,
drank until we felt the sea came within, settling ourselves, made out black all around.

The feeling, the falling
When I am "living
In love," I don't go just spelling things out.
The feeling of the first time
Seeing myself with
No bruises circling caps
Was a separate sort of arrogance
Women in love keep knees kempt
Before I was whorish
I was myself
When I was a lover
I was a writer who didn't write
And now?

(You give me meaning for once).

Borges, Please.

The story I have told, although made up,
could very well symbolize the plight
of those of us who cultivate the craft
of turning our lives into the words we write.

Here once again the memorable lips, unique and like yours.
I kept getting close to happiness and have stood in the shadow of suffering.
I have crossed the sea.
I have known many lands; I have seen one woman and two or three men.
I have loved a girl who was fair and proud, with a Spanish quietness.
I have seen the city's edge, an endless sprawl where the sun goes down
tirelessly, over and over.
I have relished many words.
I believe deeply that this is all and that I will neither see nor accomplish
new things.
I believe that my days and my nights in their poverty and their riches are
the equal of God's and of all men's.
-W.S.M.

Kate Bradley

yawner.

I have been blogging, divulging since the end of 7th grade. Two months ago I graduated undergraduate and in a month will be transported - all doors open - to a dream I have dreamt day in, day out: to live in San Francisco, accepted into graduate school, recognized as a woman with words vocalized through the fingertips. Now the most difficult venture is living the dream.

This mind of mine is blank. I think static. Staring me down is an essay by Evan Eisenberg and Jeffrey Fisher tacked to the wall:

There are known knowns; there are things we know we know. We also know there are known unknowns; that is to say, we know there are some things we do not know. But there are also unknown unknowns - the ones we don't know we don't know." -Donald Rumsfeld.

I don't know whether I have been feeling anything or nothing, which very well might feel like something or another. I do know I need to be stronger for all of us. Is that because I am narcissistic; thinking I can help you, help us. Period.

Point is I have been unwinding on the web for ten years. Maybe once you're netted, your caught for good. Harhar. But really, you can't erase your identity. Can't deny posts were your feelings, is your past. So I snooped around. And on the blog that I was actually drawling in a following - praised and absolutely defaced - website dedications - images generated for pro anorexia and asked to be in a published book - well, I ended that blog with an entry about an autobiography I was having to write at the time for my first NYU class. A few of the questions which were posted (recommendations for me to cover) were as follows:


2007-03-28 03:34 am
you are an amazing writer, so inspirational. and i adore your style. my random question is (i'm hoping you can answer) what are your traveling jet-set necessities? what do you wear on the airplane? i'm just dying to know. thanks!

2007-03-28 01:05 pm
What is your background gave you the innate inspiration to go above and beyond the average person, to make you who you are today. The high goals you set for yourself, is this because of your past or just who you are?

You move from school to school and major to major, continuously creating, is this because you want more? Why? (I think it adds to your character emmensly, always creating in a range of fields) Though I see you as an AMAZING writter beyond all.

Anorexia is linked directly to the personality of an overachiever. (Like myself) Putting pressure on yourself to be perfect, and from what age...? Is there something that brought all of this on? Things that lead up to it?

Good luck :) I cant wait to read it :)

2007-03-29 12:17 am
what were you passionate about as a child? what did you want to be when you grew up? has your relationship with your twin been affected by your modeling? you are a very attractive girl and i can imagine that it must be hard for her (she is cute as well of course), knowing that you are not identical and you have had modeling jobs, to watch your struggle with anorexia when so many consider you to be gorgeous.

2007-03-29 05:37
am does your boyfriend live in NY? if not, how is the long distance relationship going for you? do you believe he is "the one"?

2007-03-27 09:16 pm
where does your parents wealth come from? do you think it has spoiled you? do you think you would be as interested in fashion if you didn't have the funds to support it?

I only replied directly to the last user: (Once I begin forming the autobiography, I will write detailed answers). But I have to respond to part of this now. I really am not at all that interested in fashion. I am interested in how it is capable of manipulating society. If I were to work in the industry it would be as a booking agent or doing critical essays as Susan Sontag did for Vogue (for example). I wear the same thing every day. And am rather boring in my dress. I have bought clothing once in NYC and woke up the next day wanting to return most of it.

It's a hard call. My life goal is to effectuate a changed vision of one's self starting in youth. And as much as I would like to avoid visuals, I have to recognize that blogs and the media generate larger audiences when they do showcase the exterior. At the end of the day, my previous attention to such medium is why I had a following. A self-induced pressure that probably motivated me to plummet to 80 pounds. Anyway, I am going to look through files for the autobiography. I can't remember it because I hated myself and my blog for what it taught me about myself, and above all my online edited persona. But I owe my present and my future to it. I swore if I ever wrote again it would have to be different. And that difference provided me with two out of four graduate acceptances. And that initial confrontation with myself is what forced me to wake up, to bring whoever I am back to life.

There is now nothing not to do.

I am twenty-one. At twenty-two I will escape Manhattan to examine myself in San Francisco. After no time, I will have packed my material life and begun hanging myself on vacant walls. Knowing no one will only make me conscious of writing this self. I cannot laugh aloud and alone; such monologue will darken spirit, as well as any brilliance. The opportunity to not be recognized for who I am will cause me to feel most alone, redundant, insignificant, unapproachable, misled, extinct. When asked about lifting my roots, all I can consider or rather care for is the chance to clean up my act. I am twenty-one and have never breathed anything through the nose. My luxury is carelessly scrambling beneath bed sheets and carefully cooing meaning from silence, selflessness. She, a sloth. This does not bother me nor place me in particularly high hopes. I look for concentration, not an honest hand to be held. That is the alibi; my way out. I am twenty-one and as far as now have only wished for the simple and demanded outspokenness. More travels into the girth of these legs than out of my mouth. And when I should have clung I cried, convulsed. I am twenty-one and aging, forgetting what is behind can propel forth to matter as well. I am either too stubborn or determined to protect myself. In other news, I have fallen in love.

I had spoken softly, I have said so aloud.
written in flight: aspen to manhattan

Mutevellioglu

Turks in Georgia by Rengim Mutevellioglu
view more from the series photographyserved.com

Forgive Me for Forgetting

I am isolated, but not lonely. I am inside myself, but on the outside I am visibly touching you. In the instant of our touch, I am trying not to think. We are always far from where we expect ourselves to be. My body wants to be committed, but my mind won’t compromise. It has been said shadows show themselves out of light. But I am afraid. Afraid of finding I’m attached to what’s behind me. Afraid time never relieves us of our difference. On Saturday, Gabe told me he had been alone all day. It was nighttime now. I asked him how it felt.

“Not like anything. This morning, I couldn’t move. I sat on my bed and didn’t have a thought. It was the first time I couldn’t think at all.”
How did it feel?
“Not like anything. I may be addicted.”
Already?
“These changes change you immediately.”
What changes?
“Claudelean, I’m desperate.”

Becoming concerned was a risk from the beginning. But if characters became callous, my story wouldn’t survive. The challenge was to see where we relate. And after all this time trying to be closer, it’s hard accepting that sometimes we’re not enough. I’ve considered replacing characters, but I’m afraid the story will be the same. Afraid this is how I’ll always be, thinking I could do better. Being a writer isn’t as freeing as expected, as I’d hoped. If I were different maybe I wouldn’t depend on words to feel meaningful, wouldn’t need this to imagine I’m not alone. If I wasn’t writing maybe we wouldn’t happen to meet, maybe I wouldn’t have thought we had a purpose. Here’s a secret: nothing in mind hasn’t been discovered in sense. I am not creative. What’s written is what I had, all I know. And in the end it’s because of me we’ve become this way.

I saw you (and by you I mean Gabe, but you will feel more connected if you think this is all about you) for the first time outside the city. Prospect Heights. An accent of spring sun shaded us at an angle. Six strangers sat around a picnic table gargling “mystery juice.” Others grilled portobellos barefooted in the grass, as a handful drenched relish on hot dogs till buns soaked green. I was talking, but never connecting. Engaged, but that was only how I looked. Inside I was waiting for someone to know me, to make this better. I was there to meet a friend’s boyfriend. Well, that’s what she thought. I had my own reason. I came to photograph moments I would otherwise not have; capture character, consider it my own.

Everyone was shit faced. And underneath the sound of fists banging the wooden tabletop, of wrists flinging sake bombs backwards down throats, thumbs rubbing lighters and bongs bubbling filthy water, I could hear myself more deeply. On the opposite side of the bench, you were talking about writing. You felt close, and I was curious. How did that feel knowing you’ll end, be finished? Were you concerned you’d think of something else soon? I can’t imagine. But I’m sure I meant to tell you then. And just didn’t know what would happen, how you’d take me. Anyway, you have to forgive me. There was much to consider. Being a writer. Having the story always in mind. It takes patience, perseverance. I stared, needing to know, to have the better of you in me, to see if what you wrote was worth talking about while everyone became distracted by the generosity of their limbs, appetites to bone.

I took 23 pictures of people highfiving. What were you thinking? Maybe you watched me when the camera was covering my eye and thought I’d be the perfect woman to lie down on the page. Maybe you chose me because your other character, the leading lady, turned uninspiring halfway into the novel, and now you needed a quick replacement, a rush of sensations. Really, I can’t question this if I’m going to be like you. From the beginning I’ve known, a writer’s dream is to become a novelist.

“You’re a photographer.”
Only tonight.
“Because of tonight.”
Sure, if you say so.
“What do you want?”
To leave—
“You’re leaving? It’s barely begun.”
I never said I was ready.
“Then we have some time to make this interesting.”
A bit, I hope. But in the end I want to leave with something I didn’t come with.
“Oh Kid, stay for a moment.”
I didn’t say—
“You haven’t, I know, and I’m interested. Long term, what do you want to become?”
Maybe I’m not following—Have we met?
“Do you have to ask?”
I’m Claudelean. A pleasure to meet—
“Gabe. Probably one of many trying to know you.”
This wouldn’t be the first time.
“But it sounds better if this is.”
You’ll get closer wanting.
“Wanting?”
To know me.
“And what is it you want?”
I want to become a writer.
“Because of tonight?”
From the beginning, that’s all I’ve considered.
“Well, for starters, if that’s the truth, by now you should be considering nothing.”
I don’t think—
“Good, now, do you write?”
Everyday.
“Well, you’re a writer already.”
It takes more than that.
“Not much. Take my word, Kid.”
Do you really consider me a kid?
“Don’t be so literal, you can tell I want you to stay.”
A bit, I hope.
“Well, if you’re going to, we’ll have to start over.”
Sure, if you say so.
“Now, what do you want?”

It took ten days to call, wanting coffee. There was a pleasure in not knowing what to think.

“Claudelean, it feels like it has taken forever to reach you.” But my voice is always just a phone call away. “What are you doing?”
When?
“Right now.”
Writing.
“A story?”
Fragments toward the whole.
“Come have coffee with me. I’ll give you a plot.”

But it is the character I need.

What do you look like? I’ve forgotten. I rush by the window, unaware you are watching through the glass. You know before me how close we are; I’m not ready to meet you. The coffee shop is nearly empty, but it will fill and we will still find ourselves isolated. You notice light leaking in, as I’m framed in the doorway. This alters your complexion. And I wait, staring again, as you shift uncomfortably, touch the table, move the knife. And for an instant more, with your head down, you appear like you are not waiting or looking for me. If it weren’t for this, I’d never imagine you weren’t ready either. I forgive you. We are all self-conscious.

Have you been here long?
“Yes, no.”
You have?
“No, no, not more than an instant.”
Oh god, I’m sorry. Recently, I’ve been behind on life.
“Are you unfulfilled?”
Sorry, I practically ran here. Remind me, what are we talking about?
“Your writing. Your life.”
Oh, yes yes yes, of course. But they are unrelated.
“Are they?”
They should be. But my answer is the same. If by fulfilled you mean satisfied. Then yes, I am unfulfilled with my writing and my life.

Help me remember. How did you look? Blonde hair. More dark than light. But wouldn’t that be brown? I’ve never been attracted to blondes. So, okay, you have brown hair. Tall, yes, you are tall. Taller than I was used to, but I can get used to it. I did get used to it. Now it’s a preference. And I remember seeing your chest. Enough to make me wonder. Were you encouraging me to follow you home? I didn’t ask. I did so anyway—on my own accord.

I drank coffee. You had tea.

I thought you came for coffee.
“I came for you, Kid.”
Oh, okay.

You looked like you hadn’t expected me. Expected me to be. Candid. You were right. I didn’t expect myself to be this way either. But I changed around you. Or rather, I was more myself, which was a change and an accomplishment. You helped me stay inside. Together we communicated that and from there.

I don’t actually act like a kid, do I?
“I wouldn’t be here if you did.”
You may have nowhere else to go.
“I don’t.”
Then why haven’t you called—
“Claudelean?”
Yes.
“Because you’re different.”
Different?
“Would you rather I name you Angel?”
Don’t you like my name?
“Sure, but you had it when we were strangers. Now we’ve changed. And Kid is what I’ve given you.”
Fine, if that’s what you want.
“I’d like if you didn’t take this so literally. You might have some fun.”
It might be easy if you act like you want to be here.
“Oh Kid, you enjoy hearing me repeat myself.”
I forget easily.
“When we met, I told you right away, that the pleasure is all mine.”
And I thought you’d be seducing me by now.
“Kid, you’re dangerous.”
Should I be careful?
“Not around me.”
Well, I just figured since you’re an experienced man, you would use age, your appeal. You know, to get me to like you, to keep me interested. But so far this isn’t what I expected. I’m not used to being with a writer. Maybe you are only a voice. Completely unaware of your body.
“What if that’s the appeal.”
What if, Gabe. What if.

Remind me of the outside. How you appeared. Your shirt, your skin tone, even the tea you drank. I can’t remember everything that is real. Tell me anything, so the story can be more colorful. Tell me how we were together. When we met, all the talking. In the coffee shop, it seemed we had known each other always. But we knew nothing. We only felt we could, that we were learning, getting somewhere faster than usual.

I wish I could make us look different by remembering your appearance, your mannerisms. I wish I knew what to quote. But whenever someone captivates me they exist as an interior translation. A feeling that provides me with more reason than embellishment. How is it possible to show feeling? How could from a feeling, anyone read me and imagine a face—a face I am not even thinking of, for it isn’t how I remember you. It is your touch I return to every time. So is that what it is? You are unforgettable because I retained the feeling of you, which was immediately intriguing and made me forget to be impressed by your face. Remind me, what did you look like?

“The thing about life is it’s all based on perception. You and I can sit here discussing thoughts until there are no more beans to brew, but we aren’t going to change the ways of the world.”
I don’t know what to do about it.
“All you can do is tell somehow how you feel. Otherwise, you’ll remain the way they see you.”
What if I feel I think too much?
“Claudelean, what if I told you I could talk to you forever?”

And I followed you home. Wanting to know you, discover us, in another place in time. In Manhattan, one of every two apartments has a tenant that lives alone. Once we reached your room, I knew I’d come to romanticize it; the place between ideal and actuality, not where one sleeps but where two try to touch their dreams—see if what is separately thought is mutually true. I have come, we are here, and I know our reason but not what I feel about it. My body was always there. Waiting while you spoke. Touching through silence. For three weeks we kissed upside down. Mouths passing breath between bodies. The rush is unbelievable. And even more extraordinary was what we hadn’t fathomed: we could survive if we were attached and breathing the same air.

Have you ever felt lonely living here?
“People find themselves in Manhattan, so they never have to feel lonely again.”
Have you?
“I like to think so.”
When?
“Oh Kid, I can’t remember the date exactly. But I probably knew once I stopped changing.”
Don’t you get bored?
“I haven’t.”
But there aren’t any books in your room.
“You’re here. Would you want to watch me read?”
How can you write so much? I don’t understand.
“I use my imagination.”
You make things up?
“I have to or I’ll never finish.”

You became more involved with your novel. Never letting me read it because it wasn’t good enough yet. Lying in bed, you might have seen me finding pleasure in rest. Appreciating the softness. Another skin against my body. With the night covering my eyes, you stared, admiring the image of sleep. The image of belonging to you. During those hours. You blushed, as I never imagined you would. And you’d never want to believe I wasn’t sleeping; behind veiled eyes I was awake, considering who I was to be there, what that said about you, and meant about us—then or sometime ever.

I wish—
“I didn’t mean to wake—“
You didn’t. I wish you’d tell me how I am to you.
“Me too, but honest, you’re the writer.”
Not yet. Please, this means something to me.
“I wish, Kid.”
Try.
“You’re young and curious. It reminds me of how I was in the beginning.”
When?
“Before I became concerned. Once you start, and are closer to the end, you can’t afford to have things changing.”
I don’t understand.
“Listen Kid, when your feelings change you expect the world will, too. And sometimes, it isn’t worth waiting for things to become the same. Sometimes you just have to finish, because it’s time to move on. That’s when it doesn’t matter what you want.”
I want to read your novel.
“Once it’s finished.”
When will you?
“As soon as things are perfect.”

I’d watch you write, and I’d come up with clever ideas. A few lines. How often you used the bathroom. If you ate the moment you woke. Whether you napped on your side. Asked you how it felt sleeping on your stomach.

Were you able to breathe?
“Of course, or I wouldn’t do it.”

I wrote that down, too. Notes and notes. You taught me the time it takes to build a character.

Tell me who you were.
“But I’m not that way.”
You’re missing the point. You are this way because of then.
“I’ve told you everything. I guess it isn’t what you want to know.”

Was the truth that avoidable? One day, you said it made you nervous, that you were becoming self-conscious. But you told me to write with my heart, I didn’t understand how this was different.

I just want to do everything I can to make sure my memory is accurate.
“What memory? Nothing is going anywhere.”
Gabe, I’ve always told you how easily I forget.
“Not me.”

The silence was suffocating. Our relationship depended upon what we offered. We were our words, just as you had said at the coffee shop. And each time you left me curious, I felt you were depriving me of meaning, that you were holding me back from what I wanted. You knew I was there to talk. Of course, I didn’t expect us to when we were writing, but you didn’t seem even interested in that.

When we kissed I could no longer feel your lips; our tongues didn’t try. I couldn’t remember why I was there. What made me stay? Did we share all our thoughts and now we didn’t speak because we feared we’d sound repetitious? Seven times during one week, you entered me and I could tell we both knew you were feeling my inside, how warm I am there, while I was only experiencing your outer shell, your unbearable weight. Four nights in a row, I watched the sky become ruby at four. And always wondered whether you liked it better blue. I can’t imagine you could.

“If you could change anything about me—“
What?
“What would it be?”
Your eyes. I like green eyes.
“That’s terrible, Kid”
Teaches you not to ask superficial questions.
“But really, my eyes, you don’t like them?”
What about me?
“I love yours.”
But what would you change?
“How you never became a photographer.”
I said that wouldn’t last.
“Kid, will you remember me when you’re gone?”
I’m not leaving.
“That’s what they all say. You already are going.”
Who is they?
“All of us.”

The night before I left, you asked if I missed you. I said I am always nostalgic. And you asked me to come to bed. We touched each other for the last time. The night was too black. I was afraid. Afraid I finally found time would never help us relate, never relieve the difference. I thought of what had happened. How we fell in and fell out. How love is a story I would never be able to tell. It rushes past. I tried, but maybe I had written down too many thoughts. Maybe I had tried to remember the details and forgotten to isolate the feelings. Thinking nothing had changed, you breathed easily through your dreams. In boredom, I drew an arrow from your navel down, pointing through curls of hair, and wrote, “He’s my only concern.”

In the morning, I woke practically thrown from bed.

“What’s this about?”
I couldn’t sleep. I was restless. I didn’t mean it.
“Of course you did or you wouldn’t have written it.”
Gabe, it’ll come right off. I promise.
It’s permanent, Claudelean. This is all so goddamn permanent.”

And you threw the sharpie against the wall. I left, never really looking back. When I was on my way, I had to keep moving. Two days went by. Ten days went by. I drank tea at the coffee shop. Wrote some lines. Fragments, which made it possible to select my story and turn it into a memory that was bearable if I am ever tempted to remind myself.

On the 22nd day, you called.

“I told you you would leave.”
I did what you wanted.
“I have to see you.”
When?
“Right now.”
I can’t, I’m writing.
“You always are, but you still haven’t started your story.”
It’s coming along.
“Barely. Claudelean, please see me. I’ll give you your story.”

But it is the climax I need.

This time you were waiting for me when I walked in. You were wearing all white with red high-tops. Two mugs of coffee were on the table. I have no idea why were behaving this way.

What’s going on?
“Can’t I get a hello first?”
Hi. What’s up?
“How are you? What have you been doing?”
Writing, sleeping around, writing. You know me, the usual. Why, what’s up?
“You’ve slept with someone else?”
If I want to, I can, right?
“How does it feel?”
Erotic. Distanced. Unattainable. Poorly evoked.
“Sounds terrible.”
It’s fine for now. What’s this all about?
“I’ve just been alone all day. I was alone yesterday, too. And the day before that and the—well—since you left, I’ve just kind of been hanging out. Trying to finish my novel. I was so close to being done. But now all I can think about is how lonely I am.”
What does it feel like?
“Impossible to describe. Like nothing I have ever known.”
Maybe you should be seeing someone.
“I want you back.”
No, I mean, someone professional. Therapy. You even look different.
“Nah, it’s all artificial. Real egocentric. You know, I’ve never liked talking about myself.”
Maybe it will help.
“Being alone won’t make any of this better.”
Well, tell me then, what happened this morning?
“I couldn’t move. I sat on my bed and didn’t have a thought. It was the first time I couldn’t think at all.”
How did it feel?
“Not like anything. I may be addicted.”
Already?
“These changes change you immediately.”
What changes?
"Claudelean, I’m desperate.”

"I was born when she kissed me. I died when she left me. I lived a few weeks while she loved me" -In a Lonely Place, filmed by Nicholas Ray.


* Envisioned after an afternoon and a night with a writer and an actor. Somehow I can only hope this doubles as a thank you for advancing perspective, for adding to the Manhattan experience and - in nature of the roles - depth to the moment.

Month to Month.

This is the end of what I thought. These days the closest thing to me is these days.
We were in early June when he asked.

Could you share a story?

Haven't I been?
Not entirely.
Well, what are you looking for?
You.

July is here without invite. Turning back are hours that cannot be seen, valued.
Without depth, darkness isn't imaginable. In me there is feeling only.

An emptiness that maybe I have
slept through then and now.

What is left is all I got.

So I will pull my panties off to finally tell you how afraid I am.
Afraid I've waited to inhale. Afraid I will always be waiting on myself.

Eros

"Three visionary directors. One erotic journey. Michelangelo Antonioni, Steven Soderbergh and Wong Kar Wai address the themes of love and sex."

Chamber Music

Wu-Tang Clan's new album, Chamber Music, is one word: art. Listen to the full cd at Spinner.

Alice Neel

Alice Neel from SeeThink on Vimeo.

Even if I'm not working, I'm still analyzing people...Her nerves were at the end of her fingers.
This is worth your time: arthousefilms
her website

Simian Mobile Disco

the rest is lost.

Unfortunately all I've written, words upon words, have been deleted. Frustrating for sure. Here is a bit 06-28-09


I haven't brought anything to this website, I know. Nothing I can claim - and at best consider - progressive, beneficial, informative, revealing, substantial. Not like I thought, imagined, expected, hoped I would. May and June have left me. And I have forgotten, and I have felt. Time has been here for me to use, but I haven't been able to take it at my advantage. Repetitive voices advising: "Live now, work later, write in the Fall." But what if I forget by then? The story will be different. Less rich, less labyrinthian. (I will retreat to bad habits when I need to delve deeper, be honest, be crude, so even I as reader am shocked by the sincerity. Design less, clarify more). Already, I have forgotten... What he said, why it got me thinking, how his perspective made me see I could be devoted. And those are revelations that need to be captured when they are raw, unmediated. When me, an ever evolving character, is callow, desperate, resistant, horribly paradoxical, sickened and heavy-hearted with elation. Sitting in Yankee stadium on Graduation day, I promised myself that if I could not write nor read the story of another then at least I could react to my own everyday. Worse case, I thought, I begin developing a story that follows the process of falling in love, breaking free of the interior security blanket, the fear of finally living, the panic of happiness, the body's reaction to sex at this level, the emotional upheaval of falling and never wanting to hurt, the plague of moving and having to say goodbye to one more, the one that for the first time I am trying to give myself to even though I have my calling for privacy, even though I/you have our past, my future, and the present which he will come to see me in, see me as, and want me despite of. I think about the beginning, a few months ago, before he was really around me. How he said I am the happiest girl he knows, everyday, smiling, never not. I listened, denying the factuality of his observations, feeling my happiness is circumstantial. And now knowing in this past month or so we have been close, never without, overwhelmed by the effort to be closer and that he has seen me cry after two years of a dry spell, has watched me lash out, change moods, purposefully be unlikable, vague, uncommunicative. Well...

closer to closure.

i drove home, i drove backward. this wouldn’t be my first time trying to peel the day away, achieve clarity on the likelihood of tomorrow. so they say this is her problem. i go grabbing for air with nails. forget i need hips to make a hula hoop spin. i had no time for jokes, small talk. six hours, one of them was counting, then she’ll be gone. i spent “extra” time thinking of men, few that have, and are, creating a changed me. tease a tongue into the mouth, and the kissed wake hungover with nerves. so the sought after always is comparing sense to sex, scraping the dream from her eye. while the lover stays, focusing on film. although ask and he’ll talk about patience, his flexibility as a grown man. we women are expected to thank him. after all how many times has our difficulty been topic for conversation. this means they like us, are thinking. and, of course, their nature isn’t to dehumanize anyone. men need our emotion to blame theirs on. projection!, the transparency. see they love all this feeling, wait around for all that touching coming after. he said i love you when i was in his arms. said i love you as i thought to pull away. said i love you when we had nowhere to go. it was obvious how different we are when i told him he is the best. and i am sure he knew better, recognizing my response did not reflect my reaction. what should have been said? what is it i want? i drove home, i drove backward. and thought of him, how once we separated we were able to quit smoking cigarettes.

Listening

He said it not me.

It was difficult to begin talking. I had not talked very much for the past fifteen years, not really talking the way I once talked with Mary Whitney, and Jeremiah the peddler, and with Jamie Walsh too before he became so treacherous towards me; and in a way I had forgotten how. I told Dr. Jordan that I did not know what he wanted me to say. He said it wasn't what he wanted me to say, but what I wanted to say myself, that was of interest to him. I said I had no wants of that kind, as it was not my place to want to say anything.

Now Grace he said, you must do better than that, we made a bargain.
Yes Sir, I said. But I cannot think of anything.
Then let us discuss the weather, he said; you must have some observations to make on it, since that is the way everyone else begins.
I smiled at that, but I was just as shy.

Alias Grace by Margaret Atwood, p 67.

moreintelligentlife.com

BEING CRAZY IS NOISY

via moreintelligentlife
By John Sterns

Created 18/06/2009 - 11:48

John Sterns is diagnosed with schizoaffective disorder (a co-diagnosis of schizophrenia and bipolar disorder), chronic depression and chronic anxiety. He describes a lifetime of fighting demons ...

Special to MORE INTELLIGENT LIFE

I. I hear voices (“auditory hallucinations”, technically). They come from all directions and fill my mind with hateful, self-destructive demands. One comes from above the crown of my head and commands, “You must die”. Another rests on my left shoulder and says, “You should be dead”. A third whispers insidiously into my left ear, “Kill yourself”.

But the most persistent and long-standing of my voices, which began when I was eight years old, pounds on my left shoulder like a jackhammer, repeating, “I hate myself. I hate myself. I hate myself. I hate myself. I hate myself. I hate myself. I hate myself. I hate myself.” It never ends. My response to this particular voice was to develop a permanent cringe in my right shoulder. I am now spending thousands of dollars to correct compressed discs in my neck that have caused me chronic pain for nearly 30 years.

Before my treatment, hospitalisations and incarcerations, these voices were all separate and distinct, with individual sounds, tones, rhythms and pitches. Now they are one voice--my voice. Once a chorus, they have become a soloist, though attacking me with the same message. Treatment has meant that I have finally found a “self”, a “me”, after four decades. But the me I’ve discovered is now my enemy.

II. Not all voices are demonic. I once met a man who heard happy voices. I was walking down the hall of the locked ward in the hospital’s inpatient facility (“Club Head”, we called it) and a young man with dark curly hair approached me, staring into space, smiling, giggling, laughing. He turned his head to whisper to someone who was obviously not there. We passed each other and I heard him chuckle and say, “That’s very funny.” I knew he wasn’t talking to me–I hadn’t said or done anything–and I knew he was psychotic (I recognised the symptoms). At dinner that night I asked my roommate about the young man. “Oh, that’s Kevin," he answered. "He hears happy voices.”

I immediately hated Kevin. I have been tormented with psychosis and delusions since I was four years old. To meet someone decades later who apparently relished the very same symptoms that have haunted me all of my life felt unfair, an abomination. I avoided Kevin. When I did run into him I wished him the worst voices--the kind that would finally push him over the edge. I wanted him to fall into the endless pit of suffering and pain where I have spent nearly every day of the last 40 years. This is wrong, I know, but I do not yet understand how to be both crazy and compassionate.


III. During one hospital stay, we were encouraged to use art to express how we felt about ourselves, our illnesses, our pasts and futures. As a child I hated art classes. I was a disaster: my chronic anxiety led to constant sweating, which caused paints, pens, crayons and coloured papers to smear my young face, hands and clothing. The result was often a sickly green-grey mess, a melted miasma. By the third grade I received a free pass from all art classes through the remainder of my school years.

Art therapy required me to sit around a table with seven other inmates and a social worker, and stare at a blank piece of paper and a torn box of broken crayons. I didn’t want to draw anything. In fact, I didn’t want to think about my illness--not my past, my present and certainly not my future. After an hour the social worker announced that art therapy was done and we had to hand in our work. I turned in my blank sheet of paper and walked to the cafeteria for lunch. I told myself I had made an existential statement. Blank was as good as it gets.

The next day brought another art therapy session and once again I turned in a blank sheet of white paper. That afternoon I was called to meet with the social worker who guarded the art therapy class.

“John,” she began ominously, “you are failing art therapy.”

I misheard her, clearly. How can one fail art therapy?

“Unless you make more of an effort,” she continued gravely, “you will not pass. You will not be released.”

The conversation was obviously over.

I returned to my bedroom and considered this exchange. Being called a failure did not surprise me. I am a failure--that I already knew. It was the "You will not be released" part that grabbed my attention. I wanted to be released. Club Head has its advantages: shelter, a bed, meals and the suspension of disbelief for all the problems I've caused, the troubles I face, and the remorse, disappoinment, disgust and fear I will feel for hurting others. But I missed my wife and son, so I resolved to make more of an effort during art therapy over the next few days.

So I draw. And draw, and draw some more. Colours fill the pages and I am the most prolific crazy art-therapy inmate ever to grace the hospital floor. Over the next two days I draw and colour geometric shapes, which I had calculated would be safely "meaningful". My favourite drawing was a rough outline of the state of Alaska that I call “All-I-Ask-Ya”. It has the city “Nome” plotted on the map.

But at the end of each class, I felt sad. The drawings meant nothing to me. I was not using art to express myself. I didn't even know what that meant.

After three days I was told that I had passed art therapy and would be moved to the open ward. A victory. I didn’t tell them that I still had auditory, visual and kinesthetic hallucinations, paranoid delusions and daily thoughts of suicide. That would mess things up.

Picture credit: lepiaf.geo [1], *_Abhi_* [2] (both via Flickr)

I, too, have been crying.

The most distressing position to be in is across from your father, hearing his cry. It’s impossible to stare, even though it’s amazing. Could I be intruding? I feel that way. He was sitting at his desk, the morning after Father’s Day, when I gave him his card. I don’t like to be in the room when things I’ve given are opened. I don’t like reactions. I don’t like having to wait, to watch my under or overwhelming effect. There are few moments when we have room to breathe. I feel this should be one of them. He made stick around. I buried my eyes in corners. You see, I appear distracted but rarely ever am. He cried immediately. Broke down. I have never heard emotion as loud. My timing is always on. If only, I were off. If I could be lighthearted in a letter. If I didn’t show him what he has meant. If I didn’t assure him I will always be the child he sees he is losing.

before:

2005 June 25

"sometimes i question whether i turn my desires into realities too easily. too keen on experiencing or the enjoyment to consider the consequences or maybe even others. then there is the whole concept that i'm living a life that those in their late twenties are experiencing. there is always two sides to each question. two answers, i suppose. i see my sister and the boy she is seeing &it just sorta sinks in that i haven't really had that. sure, i've had plenty of other things - but never really the nights where you sit on the living room couch &watch a rented mystery &make a cake. i've always been too shy to do all the cutesy things. i applaud those that do, maybe envy them &its funny because i hear how people talk up my situations. i suppose we always wonder about what we don't have. i love &do enjoy where i'm at.. but every once &awhile i wonder if maybe i pushed for it all too fast. i didn't experience what those my age were. i outgrew even what i didn't know."

Film To See:

"One night, I sat down, the ideas came in, and it was a most beautiful experience. Everything was seen from a different angle ... Now, looking back, I see that [the film] always wanted to be this way. It just took this strange beginning to cause it to be what it is." - David Lynch.

garden of evil.

Having no say on whether I am ready, he says this is real. Don’t I feel it? Pushing me. There was no question. Through my body, yes, of course. I shared secrets, Hemingway. Told him I was him; sorting matters, resigning lovers, abandonment, oh, the charm we haven’t got. Writing those we no longer need. Our pages, unheard gestures, are a final wave. Goodbyes, they take so long. And the story changes at least nine times; in the interim, even after.

 

I have a lot to be good at.

I can’t say anything that you won’t care about. We have made me quiet. These days you think you know how to read me. Now I make you insecure. And I can’t feel guilty about what I haven’t yet done. I enjoy watching you listening, become shy seem stupid when you probe me to answer my abstractions, I hate a phase your face passes through. I’ve failed to keep what was there. It only takes a moment for you to worry about me. I enjoy watching all the silence in you; even I want to ask how you are doing. 

favourite new band:

The Xx - Crystalised

A Good Man Recommended:

What is Beauty?
an extract from
Meeting Life: Writing and Talks on Finding Your Path Without Retreating from Society
by Jiddu Krishnamurti

Questioner: I don't know what beauty is. I never even thought about it until I heard you talk about it. I'm an engineer and have constructed many buildings, bridges and railways. I've lived a hard life in the open and in countries where there are few trees. On a walk one day you pointed out the beautiful shape of a tree. I looked at it and repeated the words, 'How beautiful,' but deeply inside me I didn't really feel anything at all. I politely agreed with you, but I don't really know what beauty is. Sometimes a straight railway line might seem beautiful to me and sometimes I admire one of those marvelous modern bridges across a great river or across the mouth of a harbour. They are functional and are supposed to be quite beautiful, but I don't really see it. Those modern jet planes are functional machines. When you pointed them out to me and said they were beautiful I somehow felt they were things to be used and wondered why you got so excited about them. That yellow flower on the walk didn't give me at all the same quality of feeling as it gave you. I dare say I am really crude. Your mind is much sharper than mine. I've never bothered to look at my feelings or cultivate them. I've had children and the pleasure of sex, but even that has been rather dull and heavy. And now I wonder if I am not being deprived of something which you call beauty and whether at my age I can ever really feel it, see the world as a marvelous thing, the heavens ,the woods and the rivers. What is beauty?

Krishnamurti: Are you talking about the beauty of living or the beauty that the eye sees in something, or the beauty of a poem or the beauty of music? Probably all this may sound to you rather sentimental and emotional, but there is beauty in mathematics too, which you know. In that there is supreme order. And isn't the same order in life also beautiful?

Questioner: I don't know if it is beautiful, but I do know what I've don with my own life: I've rigorously, almost brutally, disciplined myself, and there is a certain tortured order in that. But probably you would say that this is not order at all. I don't really know what it means to live beautifully. In fact, I really know nothing except a few mechanical things connected with my job; I see by talking to you that my life is pretty dull, or rather my mind is. So how can I wake up to this sensitivity, to this intelligence that makes life extremely beautiful to you?

Krishnamurti: First, sir, one has to sharpen the senses by looking, touching, observing, listening not only to the birds, to the rustle of the leaves, but also to the words that you use yourself, the feeling you have - however small and petty - for all the secret intimations of your own mind. Listen to them and don't suppress them, don't control them or try to sublimate them. Just listen to them. The sensitivity to the senses doesn't mean their indulgence, doesn't mean yielding to urges or resisting those urges, but means simply observing so that the mind is always watchful as when you walk on a railway line; you may lose your balance but you immediately get back on to the rail. So the whole organism becomes alive, sensitive, intelligent, balanced, taut.

Probably you consider the body is not at all important. I've seen you eat, and you eat as if you were feeding a furnace... This is comparatively easy. But what is more difficult is to free that mind from the mechanical habits of thought, feeling and action into which it has been driven by circumstances - by one's wife, one's children, one's job. The mind itself has lost its elasticity. The more subtle forms of observation escape it. This means seeing yourself actually as you are without wanting to correct yourself or change what you see or escape from it - just to see yourself actually as you are, so that the mind doesn't fall back into other series of habits. When such a mind looks at a flower or the colour of a dress or a dead leaf falling from a tree, it is now capable of seeing the movement of that leaf as it falls and the colour of that flower vividly. So both outwardly and inwardly the mind becomes highly alive, pliable, alert; there is a sensitivity which makes the mind intelligent. Sensitivity, intelligence and freedom in action are the beauty of living.

Questioner: All right. So one observes, one become very sensitive, very watchful, and then what? Is that all there is, just marvelling forever at perfectly commonplace things? I am sure that everybody does this all the time, at least when they are young, and there is nothing earth-shaking about it. What then? Isn't there some further step than just this observation that you talk about?

Krishnamurti: You started this conversation by asking about beauty, by saying that you do not feel it. You also said that in your life there is no beauty and so we are inquiring into this question of what beauty is, not only verbally or intellectually but feeling the very throb of it.

Questioner: Yes, that is so, but when I asked you I wondered i there isn't something beyond just the sensitive looking you describe.

Krishnamurti: Of course there is, but unless one has the sensitivity of observation, seeing what is infinitely greater cannot come about.

From Bulletin 32, 1977
for a collection of Jiddu Krishnamurti's quotations on Love

Heat Wave.

During summer, we take our time falling in love. The day is enriched hour by hour. Making it heavy, getting us heated, pulling our pants off. We achieve color to better compliment our bodies. Darker and we look alive. He wants to get through to me. So he says things, so I listen. And he gives himself away so well, and I feel warmer on the inside. It’s funny how these changes happen. This way we are only in our mind. This should and shouldn’t matter, I think. He doesn’t like that my body does all the talking; thinks this is no compliment. And I don’t like hearing him talk that way, hearing this either. He wants me to say it. But how can I when love now sounds questionable? It never feels as you think it should, thought it would. Once upon a time, being a bad girl made everyone believe you were giving yourself away, easily. During summer—after having lived eighty-four seasons, the color changing, the body aging that much—I take my time falling in love. Go by the pond to wait a little. I could be promising promises or I could watch the sun become wasted. It feels good not to be moving. But it feels different also. It just so happens that fewer people are around these days. It just so happens this is when I am taking my time. The heaviness of the hour is exhausting. And the heat makes me tired too. It feels good not to be moving. Feels like the summer to be forgetting the end, that he can’t wait till fall to have me finally speaking.

Summer 2009:

When no one is by you what do you think? Last night I almost told him.

She stared instead. And he loved those eyes.

I’m wondering whether he knew just by looking. He talked a lot so I couldn’t think, wouldn’t worry. But I’m unstoppable. It feels cheap holding hands at the bar. Which is why I’ve never let it happen. The summer makes me lazy, so I shower sitting and have the water come to me. Life becomes something else when you have someone who wants to kiss you everyday. This is the first time I haven’t had to use my tongue to enjoy myself.

Same day Different year.

Thumbed through envelopes of 1998 photographs last night. Convo: 'Wearing one pieces then, just like you do now. Have you ever worn a bikini?" No, never. (thinking, well yes, those few times I let myself when I was skin, when I was bone). "Why not?" I hate myself in them. "So I have to get you to a private beach." Those are my two fears. "What?" Bikinis and beaches.

I was stupid saying any of these things. Then today I checked out my journal entry from June 9 2004. I need documentation because past is proof. I need to take time by the balls and overcome myself. I've gotten better. There's a certain quickness that has surprised me. Call it love. Call it growing up. I'm opening up to what I'm not. Because I actually care. Maybe about him. Maybe about me. The next step I know I need to take to be better, to be - well - rounded.

The entry begun as follows. I was at Sanibel Island:

2004 June 09

"I hate bathing suits. I try really hard to be confident. But then things convince me otherwise, like mirrors, that I'm just gross. & no matter what people tell me, no matter who they are, I think they are lying. I think they are just worried & trying to feed me words I'll believe, but I don't. I will tell you that I am eating better than I have been since freshman year. I don't count calories or eat small amounts. I do not have a disorder, at all, just an image issue. The point of this was to express my desire to start working out once I get home. Not only do I love working out (it's a great feeling to have a routine) but it's a great way to release pent up anger? Hah, which I have none of, of course."

Same day. Different hour:

"BASICALLY, HI LOVES

Ive been having an AMAZING time. Friday & Saturday was rough. I felt like I could cry at a drop of a pin. I was down & yet now everything has completely cleared up. I'm really happy. PERIOD. Being here is exactly what I said it would be before I left. Something I needed. It's great to be away & realize that you d-o n-o-t need to rely on anyone. Or more over, I don't need anyone to be happy. I don't feel like anyone has this control over me anymore, I'm just more or less above it. Them. Him. Her. Whoever. BEING ON THE BOAT & TUBING are possibly the greatest feelings of life. It does sound extreme, hahha, but honest. I love being on the boat, listening to music, it gives me 793749 reasons to really go check out San Diego. ANYHOW, I really love my black nails, my rainbow belt, my pointy bracelets, my 70s glasses, & my new pin (Thank you Alli) "BE NICE TO YOUR ENEMIES, IT FUCKS WITH THEIR HEAD" THIS HAS BEEN WONDERFUL <3"

It wasn't the story I needed.

Before she left on her flight, I told her I may be in love.

“You think you are or…”
“I feel I am.”

It’s better not to think. She said something about this being the third time. She could have said anything other than that. But, no. I’d rather be a liar than lucky. She made me sound like I was always falling. Falling into major conditions. A sickness. Depositing sanity to accumulate change. I’m not very mathematic. It hasn’t been three times, I wanted to fire back, but nothing is worse than denial, doubt. She was envious, dropped the call, took to Chicago and three days after my confession sent me a text saying she had found her mate, her soul. Congratulations. I replied but she hasn’t seen this because they are talking, still. Sixteen days ago, I said I am in love. But I kept this to myself because I didn’t know what to do with it. I hadn’t decided. Once it’s said, more time is spent trying to understand what it means, if love is what you wanted when you stopped by his house that one day. The day I didn't think could make me feel differently at all.

The Catch: When Asked to Speak I Can’t.

Yesterday, we ate and drove. Our only good idea when it wouldn’t rain. She called pet stores while speed and wind wrapped hair to our friend’s face. Their hands reached out and up as I advanced to sixth gear. We may have no reason to rush but that has nothing to do with how we may need it. At lunch, she said they are my friends. She said it is okay to talk seriously. Of course I knew this but didn’t exactly know why a square table and ceviche seemed like a great setting for an intervention. When I asked for a drink menu, she asked if I was getting sauced up. The pairing of this with their diet cokes made me embarrassed so I said maybe and then never made eye contact with the waiter again. Driving is more fulfilling than food. It’s an empty space in time to fill with consideration. Which is why the driver should be idealized as an escapist and cynic. I considered my point as I took us places I had thought about but had no reason for being in. She bought food for a kitten she hadn’t found. And my friend chose toys and decided between color choices of liter boxes, while I held a white bunny over my heart. Everyone tells me not to buy another and in the same breath acknowledges them as my favourite animal. I acknowledge that I am 65% silent but I hope that doesn’t take away from the fact that I can’t be okay with what many spend all their time speaking about. Instead of excessive commentary, I just wish someone would ask me why I might want a bunny instead of a gerbil or dog. But I guess what is said compared to what is asked doesn’t impact the living like I imagine it could. What amazes me is our opportunities. In the center of a Petco, anyone can hold a bunny and discover why they are the way they are and how they are made to love. I only had to touch her between the ears more than twice and her posture perked, devotedly. But the point is, I only had to touch. And it was like watching a body feel for the first time. I wasn’t with the bunny for twenty-minutes before I loved her. And had to drive home.

not the end of everything.

– before beginning, I become distracted by my image – and what’s distracting is I don’t think of it as my own – (I’ve written this two thousand times before, in other words and also the same) – the maintenance of being myself – well, it’s an idea I’ve been engaged with all my life – and the truth is it’s a process which I acknowledge but somehow can’t accept – I have no patience, that’s one theory – fuck your theories – and I agree – or maybe, it’s being better than myself that I take to be my responsibility – if not, a responsibility, call it the chore I’m asked to accomplish everyday – the only job my parents hold me accountable for – she said if it’s about you, then your life is paved by selfish pursuit – in other words, you don’t mean to do good –the great kind, that is – when she said that, it wasn’t the first time, I knew this but it’s not like she remembered – because what she says about me and my life doesn’t effect her – I tried to process the insinuation, along with the last few weeks – but it was a lot to do at once – and, well, I don’t have patience – not any patience, but the patience this sort of revelation requires – so because I couldn’t do everything I just repeated what she said, well the one line that stuck or that I remembered – and while repeating it, I told myself to memorize it, remember it really, so it can mean something for someone – but as I was repeating it, I began replacing “it” with “this” and now what I’m so hurt about is when she said, “if this is about you, then your life is only in pursuit of doing good for yourself” – I feel hurt but maybe it’s just the confusion – so I told her – “I never say I want to be a famous author”…“I’ve never said that” – which was true at the time and still is if I say so myself – I stood up because I was through talking, which means I just couldn’t talk or want to – and pulled the fat of my thighs like a clamp – in the mirror I looked thin – but then I thought about my hands and the pulling and that I was becoming an illusion, that I wanted to mistake the real, that I was anything but substantial – really all I was doing was perpetuating an ideal – “Would you stop already, it’s fucking nauseating” – “This fat is going to make me throw up” – “It’s muscle” – “It’s weakness” – “Get over yourself” – “I am”– “Why were you crying about who takes the cat when you move?” – “Because” – “You’re leaving?” – “Because I love her” – “You’ll love any cat that’s yours” – “What else am I doing wrong?” – she was talking, explaining, expounding, whatever word makes a drone sound somewhat worthy of listening to – but I couldn’t hear her, only because I didn’t want to care – you know people can talk for hours and never know each other – even though she told her and he told him that that night they were so close – at times I know I’ve lived two lives and just yesterday was told, in this third one, that I live in the moment but then will go and spend time thinking, spend too much time reflecting – when I was a child, I thought adults were different because they acknowledged the important things – I always thought this was a privilege – now-an-age I seem to be wrong and friends try to correct my behavior – I don’t care – when I was intimidated by adults, their lives, I still dreamed about them – and I do – dream about me all grown, secure, writing about the world, how we look too big, feel so small –